Guy Kawasaki Hits a Home Run with His New Book, ‘APE’

APEBefore you say, “But I’m not especially fond of primates,” hang on. APE stands for Author-Publisher-Entrepreneur. And I am going out on a limb here when I say that this is one of the most honest, least hypey, overall best books I have read on self-publishing in a long time.

Kawasaki and his co-author Shawn Welch walk you through the steps of writing and publishing your own book with an even-handed, comprehensive and sequential approach. Instead of falling into the trap of “Write and Publish Your Book in 5 Days!,” they admit that it’s more work self-publishing because many more things can go wrong and it’s up to you to fix them.

This book focuses on e-publishing and, while ebooks are currently no more than 10 percent of the market, it is a quickly growing trend.

At the same time, the authors offer all the resources you will need to succeed. Throughout the book, you get cool tools, including easy-to-read charts that help you digest and apply the information quickly. And, because first-time authors are at the greatest risk of being taken advantage of by unscrupulous companies that promise them the world, the section on avoiding the scams is especially valuable.

A review of APE: Author-Publisher-Entrepreneur

I’m starting you off with this hilarious 4+-minute video, called So You Want to Write a Novel. But you can substitute the word “book” for every time “novel” is used because it applies to authors of all kinds. I guarantee this is worth 4 minutes of your time:

The three parts of APE:

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Your Blog as Stage: Building a Believable Author Brand

When I taught blogging workshops for writers and authors, one thing was predictable. Their eyes would always glaze over when I got to the part about building an author brand.

They thought of selling out, of compromising their art, of consumer brainwashing. They had seen too many taglines, too many TV commercials—Coke (“refreshing”) and Apple (“think different”).

“I don’t need a brand,” they would say. “I’m not a product.”

They were confusing a brand with an advertising slogan.

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5 Ways to Know You’re at a Writers’ Conference

girl on boatLast weekend I hit the road—and the water—for the Whidbey Island Writer’s Conference. I have been to a bazillion conferences in my day: they were events for teachers, or direct mail copywriters, or bloggers or marketers, depending on what field I was in at the moment.

They all blur together in my mind. The thought leaders, the consultant/speakers, the trade shows, the sturdy little conference bags with the cool gifts inside. The tickets for free drinks at the end-of-day happy hours.

But, somehow, this event had a totally different feel.

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Write Better in 2012 by Reading More: What’s on Your Bookshelf?

bookshelfI hope you are finding time to refresh and rejuvenate this week between Christmas and New Year’s. I’ve been reading a lot, since Bob, Mr. WordPress, gave me the best Christmas present ever. It was better than the warm, fuzzy socks. Better even than the foaming bath oil and scented candle from L’Occitane.

It was a Kindle!

Now, when you live on a ferry-only island, getting just about anywhere on the mainland—a mega-grocery store, a library, a bookstore—can take at least half a day. If you happen to miss the ferry that runs hourly, it takes even longer. But if you have a Kindle, with Amazon’s one-click buy and instant download, you can make your purchase and start reading within seconds.

It was the perfect solution.

You’ve heard me talk about why writers and bloggers should be readers, too. So, in the spirit of sharing, I offer my best reads of 2011. Note: I am not an affiliate and have no financial motivation for recommending these. I just think they are the best books I read in 2011.

My favorite reads of 2011

Personal Essays/Memoirs

Holidays on Ice– David Sedaris writes a collection of laugh-until-you-snort, holiday-themed stories and personal essays. If I had to pick a favorite, it would be  “Santaland Diaries,” his accounting of the Christmas he worked as a Macy’s elf.

Lit – I’ve been in love with Mary Karr’s storytelling since The Liars’ Club, her memoir of growing up in a hardscrabble Texas town with an unstable family. Her new book follows her journey from drunk to sober, in only the darkly hilarious way she can tell it.

Paris to the Moon – This is not a new book (2000), but it was new to me. New Yorker writer Adam Gopnik offers a collection of 23 essays and journal entries about what he learned when he, his wife and their son spent five years in Paris. Told with the observation of a reporter, with an extra dose of wit and charm thrown in.

The Craft of Writing

On Writing – Again, not a new book, but one I read at least once a year. In the first part, Stephen King gives us a peek into how his childhood shaped him as a writer. The second half gives us his best writing advice. My favorite takeaway sentence: “If you want to be a writer, you must do two things above all others: read a lot and write a lot.

Story Engineering– My friend, the talented Larry Brooks, writes about how to build a story with a foolproof process that made more sense to me than any other book I’ve read on plotting.

The Art and Craft of Fiction: A Practitioner’s Manual – Victoria Mixon’s book has applications for storytelling—and for life. You’ll find everything you need to know about writing a story, all in one place. I haven’t read her sequel yet, but I’m going to pick it up.

The Fine Print of Self-Publishing – A writer friend recommended Mark Levine’s book to me and I wasn’t disappointed. Industry professionals say it’s a must-read for anyone considering self-publishing their book. A helpful and concise breakdown of the costs, contracts and process of self-publishing.

The Memoir Project: A Thoroughly Non-standard Text for Writing and Life – I’ll be talking about this in a separate review on my blog, but just let me say that whether you want to write life stories to give your children and grandchildren or you want to formally publish a memoir (or know someone who does), you must get this book. Marion Roach Smith shows you how to find your memoir’s theme/topic and pull only the ideas that apply to it. Brilliant stuff.

Write the Perfect Book Proposal – I can’t say enough good things about Jeff Herman and Deborah Levine Herman’s book. They are both agents who have sold hundreds of titles to publishers. In the first part, they give you step-by-steps for writing a book proposal that editors and book publishers will notice. The second half looks at 10 actual proposals that sold and why. I followed their advice and already have  a strong first  draft of my proposal completed.

Inspirational

Dream Save Do – My friends Betsy and Warren Talbot, of the Married with Luggage blog had a dream: to travel the world for five years. Whether you want to do that, or write your book, or start that business, or whatever, you can follow the steps to your dream with this book. What I love is that it’s not just the dreaming part; it’s the doing part. They show you exactly how to raise the money to do it. Digital version only.

One Hundred Names for Love – Diane Ackerman has written an inspiring love story about her gifted writer husband Paul West’s journey back to the world of words after suffering a devastating stroke. This amazing story starts with West being unable to speak (except for “mem, mem, mem”) and ends with a return to his desk and the writing of three more novels. Very inspiring.

There they are: my recommendations for 2011. By this time next year, I plan on having a link to my first book. ,

What about you?

Do you have any favorite reads from 2011?

Like to tell us what you loved and why?

A Sneak Peek (and Free Lifetime Membership) for Cat’s Eye Readers—if You Hurry

peek through fenceMany of you who hang around here are published authors. Some of you are writers with a book in the works—or on your to-do list. And even if you don’t have plans to write a book, you probably know writers in your family or social networking circles.

You know me. I’m not one to get blown away by social media sites. But two days ago, Deborah Herman (husband of Jeff Herman and co-owner of the Jeff Herman Agency), sent me an email with some pretty exciting news.

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How I Got Unstuck: Story Engineering

Larry BrooksIf you don’t tell stories, and never ever plan to, you might want to skip this post.

On the other hand, you might be a beginning fiction writer whose story is falling apart somewhere in the middle.

Or maybe you have a friend or family member who has that great American novel in him, flapping its wings, trying to get out.

Or, could be you just like to watch movies and try to figure out what makes the stories in them work.

Maybe you are fascinated by human psychology and like to understand what makes people do the things they do. What makes them tick.

Well, then, this blog post is for you.

How I got unstuck

I have read a lot of books on the craft of writing. My office library is crammed with titles.

And each one has helped me. But until now, I didn’t know what was missing.

Sure, I’ve been inspired big-time by these authors. I learned how to release my inner creativity. I did 7 years of journal (free, unstructured) writing.

I found my voice.

And what do I have to show for it? A meandering, half-finished novel. Filled with rich and interesting characters, action-packed (if disjointed) scenes and a few pieces of dialogue I’m downright proud of.

Still, it wasn’t going anywhere. Because I didn’t get the essence of story.

I didn’t get the structure.

A few weeks ago, I read Larry Brook’s new book, Story Engineering,  and all that is changing.

Brooks, a best-selling novelist, screenwriter and writing instructor, has written a book that helps writers wrap their brains around storytelling through 6 core competencies. It isn’t just another book on what needs to be done. It’s a blueprint for how to do it.

Brooks explains that there are certain things that need to happen at certain points in a story. And though I felt I had a good grasp on the content in the first third of the book—concept, character and story theme— it was in the remainder, starting with story structure, where I saw I was failing miserably.

Because no one had ever taught me that before.

Now I have a white board in my office—I call it my story board—with a map to remind me of when each of the four parts of my story should happen, when the plot points should emerge and all that other story structure stuff.

In his friendly but instructive way, Brooks takes us through story structure, using The Da Vinci Code as a case study. And from that, we see a living, breathing example of how a story works—on all levels.

In Larry’s words:

On picking the right kind of story to tell:

More authors publish romances than any other genre of fiction. So why don’t I go there? Because it’s not who I am as a writer. A better choice is to always write the kind of book you enjoy reading. The kind of book that allows who you are to surface and to touch others.

On the downside of writing your first draft “pantster” style (by the seat of your pants):

One way to develop your story is to just sit down and write the darn thing. To draft it organically. To make it up as you go along. …[but] with an organically grown draft, you have to use subsequent drafts to find the story. That’s usually a lot of extra drafts before you stumble upon it.

On the dangers of valuing voice over structure:

Narrative voice is merely, well, nice when it happens. Fluid, elegant writing is a commodity, and when it becomes the focus…it will get you absolutely nowhere, other than an A on a community college report. Agents and editors and producers are looking for great stories, well told, with solid structure at their heart.

The missing piece Brooks provides in this book is the plan—the process—for successfully getting from the set-up of our story to the resolution.

I recommend it for writers at all levels who have a story in them that needs to be told.

Larry Brooks

Larry’s special offer— for Cat’s Eye readers only

If you have gotten this far in the post, you are likely a writer, or you are interested in writing— or you know someone who is.

Larry has a special offer only for my readers: a free copy of his ebook, 101 Unpredictable Tips for Novelists and Screenwriters if you purchase a copy of Story Engineering. This idea-packed ebook is full of tips and tricks to increase your productivity, channel your creativity and, ultimately sell more of what you write.

All you have to do is purchase Story Engineering, then email Larry at storyfixer (at) storyfix dot com. Put “Judy Sent Me” in the subject line and he’ll send you a downloadable file with your very own copy of 101 Tips.

How cool is that?

Have you written any stories?

Which style are you: a pantster or a plotter?

Oh, and if you are serious about your writing, you might want to subscribe to Larry’s blog, StoryFix.

Disclaimer: I received a copy of Larry’s book to review. These opinions are mine and mine only. I have not been compensated and am not an affiliate.

Confessions of a Recovering Self-Improvement Junkie

Judydunn_editor
Got your attention, didn’t I. Last week I read a post by Seth Godin, one of my favorite bloggers, called How to Read a Business Book. In it, he makes the bold statement that all business books are 95% motivational and 5% “recipes” for action.

He contends that the bullet points are not the point. That the people who get it understand that the book is usually about getting you to change your thinking on something, and with that, your behavior.

I agree. But I also think that many people stop at that motivational level and never get past just feeling excited and ready for change.

Or they think they need to read another book, listen to another speaker, take another class, before they are ready to put theory into action.

That was me. Yes, I was a self-improvement junkie.

It started innocently enough. I was entering a new field of writing: fiction. I took a year-long (excellent) course at the University of Washington. I attended writing conferences from Whidbey Island to New York City and in-between.

I bought dozens of books, scores of books, from Natalie Goldberg’s Writing Down the Bones and Anne Lamott’s bird by bird to Stephen King on Writing and inspirational masterpieces like Eudora Welty’s One Writer’s Beginnings. I enrolled in 8-week online classes with both Gotham Writers’ Workshop and Writer’s Digest. I hired a writing coach and mentor.

Now, I admit, I am a right-brained, random thinker. I am curious—interested in everything—and love learning new things. But it can be a curse. When it comes to writing, it causes me to produce rough drafts of dozens of stories but not complete many of them.

One of my UW instructors said about one of my stories, “You have a good start here—just develop it a bit. I don’t think you need to listen to more critiques or get any more advice. If you love this story, work on it. And finish it.”

And it began to dawn on me, this flaw of mine. I thought the answer was to buy another book, Listen to another expert. When really I just needed to apply the “seat to the chair” and work on my craft. Produce 10 pages a day. Apply all those skills I’ve learned.

I know people just like me. They buy business books like toilet paper. When they run out, they have to buy another one. Sometimes the book sits unread on the nightstand. Sometimes it is consumed but the ideas are left lying on their side, like dead soldiers.

You’ve been sucked in before. You know you have. The books on the shelf in Barnes and Nobles’ business section. You know, the ones that call out, “Buy me.” “No, buy ME!” You rub the spine of the book and tilt your head sideways. The catchy title lures you. You lift it from the shelf.

The front inside jacket promises you that you’ll double your sales using these five easy strategies. You pull out your credit card. Maybe this is the one. After all, it was on the NYT best-seller list for 12 weeks.

What’s to prevent this one from joining all the other dust-covered business books lining your shelves? Well, for a start:

1. Read beyond the title. Editors work very hard to come up with that universally appealing book title. And sometimes it has nothing to do with what the book is actually about.
2. Figure out who the book was written for. Will it have direct applications for the business you are in?
3. Identify what you need. I have bought “big idea” books myself, but sometimes you want real-world applications, too. Look for books that will help you with a current issue or problem.
4. Be sure it isn’t another repackaged, flavor-of-the-month book. It’s true that there is nothing new under the sun. But still, the author should give you some different ways of looking at a common concept or challenge.
5. Ask your business colleagues and friends for recommendations. Opinions may vary, but if everyone says a book is a waste of money, maybe you should listen.
6. Take the book to the next level. Join a networking group’s book club or just get together with a couple of colleagues and go through the book together. It keeps you focused (and reading) and the group discussions can help you apply the strategies to your business.

My resolution as a recovering self-improvement junkie is this: buy fewer business books and get more out of the ones I do plunk down the credit card for.

A couple of years ago I sat in the auditorium at the Whidbey Island Writers’ Conference. New York Times best-selling mystery author Elizabeth George was delivering the closing keynote address.

She’s the writer famous for the quote, “A lot of writing is simply showing up.”

That day, she threw out a bombshell. It made my writing instructor and coach, sitting two rows ahead of me, glance back at me with that kind of I-told-you-so smirk-smile she gets.

What George said to all of us: You don’t need another book. There will always be another book. Just get out there and do it.

I glared at my coach. But I walked out of that room— and the conference— without another book on the craft of writing. You see, I am a recovering self-improvement junkie.