Guy Kawasaki Hits a Home Run with His New Book, ‘APE’

APEBefore you say, “But I’m not especially fond of primates,” hang on. APE stands for Author-Publisher-Entrepreneur. And I am going out on a limb here when I say that this is one of the most honest, least hypey, overall best books I have read on self-publishing in a long time.

Kawasaki and his co-author Shawn Welch walk you through the steps of writing and publishing your own book with an even-handed, comprehensive and sequential approach. Instead of falling into the trap of “Write and Publish Your Book in 5 Days!,” they admit that it’s more work self-publishing because many more things can go wrong and it’s up to you to fix them.

This book focuses on e-publishing and, while ebooks are currently no more than 10 percent of the market, it is a quickly growing trend.

At the same time, the authors offer all the resources you will need to succeed. Throughout the book, you get cool tools, including easy-to-read charts that help you digest and apply the information quickly. And, because first-time authors are at the greatest risk of being taken advantage of by unscrupulous companies that promise them the world, the section on avoiding the scams is especially valuable.

A review of APE: Author-Publisher-Entrepreneur

I’m starting you off with this hilarious 4+-minute video, called So You Want to Write a Novel. But you can substitute the word “book” for every time “novel” is used because it applies to authors of all kinds. I guarantee this is worth 4 minutes of your time:

The three parts of APE:

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The Most Unsexy Trait of Successful Writers (and Other Humans)

Note: My deepest apologies if you are a subscriber who got this post in your feed before it was finished. I’m working with a new theme and must have pressed the wrong button! Here is the real, complete version.

I am a lover of quotes. I collect them like snow globes, fountain pens and new memoirs. I marvel at the wittiness of their authors. How did they find just the right mix of words to inspire me so?

Just last week, my friend Mark Combs, blogger at Splinter in the Mind’s Eye, sent me a link to an inspiring collection of quotes by famous authors—some familiar to me, others I’d never seen.

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How I Got Unstuck: Story Engineering

Larry BrooksIf you don’t tell stories, and never ever plan to, you might want to skip this post.

On the other hand, you might be a beginning fiction writer whose story is falling apart somewhere in the middle.

Or maybe you have a friend or family member who has that great American novel in him, flapping its wings, trying to get out.

Or, could be you just like to watch movies and try to figure out what makes the stories in them work.

Maybe you are fascinated by human psychology and like to understand what makes people do the things they do. What makes them tick.

Well, then, this blog post is for you.

How I got unstuck

I have read a lot of books on the craft of writing. My office library is crammed with titles.

And each one has helped me. But until now, I didn’t know what was missing.

Sure, I’ve been inspired big-time by these authors. I learned how to release my inner creativity. I did 7 years of journal (free, unstructured) writing.

I found my voice.

And what do I have to show for it? A meandering, half-finished novel. Filled with rich and interesting characters, action-packed (if disjointed) scenes and a few pieces of dialogue I’m downright proud of.

Still, it wasn’t going anywhere. Because I didn’t get the essence of story.

I didn’t get the structure.

A few weeks ago, I read Larry Brook’s new book, Story Engineering,  and all that is changing.

Brooks, a best-selling novelist, screenwriter and writing instructor, has written a book that helps writers wrap their brains around storytelling through 6 core competencies. It isn’t just another book on what needs to be done. It’s a blueprint for how to do it.

Brooks explains that there are certain things that need to happen at certain points in a story. And though I felt I had a good grasp on the content in the first third of the book—concept, character and story theme— it was in the remainder, starting with story structure, where I saw I was failing miserably.

Because no one had ever taught me that before.

Now I have a white board in my office—I call it my story board—with a map to remind me of when each of the four parts of my story should happen, when the plot points should emerge and all that other story structure stuff.

In his friendly but instructive way, Brooks takes us through story structure, using The Da Vinci Code as a case study. And from that, we see a living, breathing example of how a story works—on all levels.

In Larry’s words:

On picking the right kind of story to tell:

More authors publish romances than any other genre of fiction. So why don’t I go there? Because it’s not who I am as a writer. A better choice is to always write the kind of book you enjoy reading. The kind of book that allows who you are to surface and to touch others.

On the downside of writing your first draft “pantster” style (by the seat of your pants):

One way to develop your story is to just sit down and write the darn thing. To draft it organically. To make it up as you go along. …[but] with an organically grown draft, you have to use subsequent drafts to find the story. That’s usually a lot of extra drafts before you stumble upon it.

On the dangers of valuing voice over structure:

Narrative voice is merely, well, nice when it happens. Fluid, elegant writing is a commodity, and when it becomes the focus…it will get you absolutely nowhere, other than an A on a community college report. Agents and editors and producers are looking for great stories, well told, with solid structure at their heart.

The missing piece Brooks provides in this book is the plan—the process—for successfully getting from the set-up of our story to the resolution.

I recommend it for writers at all levels who have a story in them that needs to be told.

Larry Brooks

Larry’s special offer— for Cat’s Eye readers only

If you have gotten this far in the post, you are likely a writer, or you are interested in writing— or you know someone who is.

Larry has a special offer only for my readers: a free copy of his ebook, 101 Unpredictable Tips for Novelists and Screenwriters if you purchase a copy of Story Engineering. This idea-packed ebook is full of tips and tricks to increase your productivity, channel your creativity and, ultimately sell more of what you write.

All you have to do is purchase Story Engineering, then email Larry at storyfixer (at) storyfix dot com. Put “Judy Sent Me” in the subject line and he’ll send you a downloadable file with your very own copy of 101 Tips.

How cool is that?

Have you written any stories?

Which style are you: a pantster or a plotter?

Oh, and if you are serious about your writing, you might want to subscribe to Larry’s blog, StoryFix.

Disclaimer: I received a copy of Larry’s book to review. These opinions are mine and mine only. I have not been compensated and am not an affiliate.

Confessions of a Recovering Self-Improvement Junkie

Judydunn_editor
Got your attention, didn’t I. Last week I read a post by Seth Godin, one of my favorite bloggers, called How to Read a Business Book. In it, he makes the bold statement that all business books are 95% motivational and 5% “recipes” for action.

He contends that the bullet points are not the point. That the people who get it understand that the book is usually about getting you to change your thinking on something, and with that, your behavior.

I agree. But I also think that many people stop at that motivational level and never get past just feeling excited and ready for change.

Or they think they need to read another book, listen to another speaker, take another class, before they are ready to put theory into action.

That was me. Yes, I was a self-improvement junkie.

It started innocently enough. I was entering a new field of writing: fiction. I took a year-long (excellent) course at the University of Washington. I attended writing conferences from Whidbey Island to New York City and in-between.

I bought dozens of books, scores of books, from Natalie Goldberg’s Writing Down the Bones and Anne Lamott’s bird by bird to Stephen King on Writing and inspirational masterpieces like Eudora Welty’s One Writer’s Beginnings. I enrolled in 8-week online classes with both Gotham Writers’ Workshop and Writer’s Digest. I hired a writing coach and mentor.

Now, I admit, I am a right-brained, random thinker. I am curious—interested in everything—and love learning new things. But it can be a curse. When it comes to writing, it causes me to produce rough drafts of dozens of stories but not complete many of them.

One of my UW instructors said about one of my stories, “You have a good start here—just develop it a bit. I don’t think you need to listen to more critiques or get any more advice. If you love this story, work on it. And finish it.”

And it began to dawn on me, this flaw of mine. I thought the answer was to buy another book, Listen to another expert. When really I just needed to apply the “seat to the chair” and work on my craft. Produce 10 pages a day. Apply all those skills I’ve learned.

I know people just like me. They buy business books like toilet paper. When they run out, they have to buy another one. Sometimes the book sits unread on the nightstand. Sometimes it is consumed but the ideas are left lying on their side, like dead soldiers.

You’ve been sucked in before. You know you have. The books on the shelf in Barnes and Nobles’ business section. You know, the ones that call out, “Buy me.” “No, buy ME!” You rub the spine of the book and tilt your head sideways. The catchy title lures you. You lift it from the shelf.

The front inside jacket promises you that you’ll double your sales using these five easy strategies. You pull out your credit card. Maybe this is the one. After all, it was on the NYT best-seller list for 12 weeks.

What’s to prevent this one from joining all the other dust-covered business books lining your shelves? Well, for a start:

1. Read beyond the title. Editors work very hard to come up with that universally appealing book title. And sometimes it has nothing to do with what the book is actually about.
2. Figure out who the book was written for. Will it have direct applications for the business you are in?
3. Identify what you need. I have bought “big idea” books myself, but sometimes you want real-world applications, too. Look for books that will help you with a current issue or problem.
4. Be sure it isn’t another repackaged, flavor-of-the-month book. It’s true that there is nothing new under the sun. But still, the author should give you some different ways of looking at a common concept or challenge.
5. Ask your business colleagues and friends for recommendations. Opinions may vary, but if everyone says a book is a waste of money, maybe you should listen.
6. Take the book to the next level. Join a networking group’s book club or just get together with a couple of colleagues and go through the book together. It keeps you focused (and reading) and the group discussions can help you apply the strategies to your business.

My resolution as a recovering self-improvement junkie is this: buy fewer business books and get more out of the ones I do plunk down the credit card for.

A couple of years ago I sat in the auditorium at the Whidbey Island Writers’ Conference. New York Times best-selling mystery author Elizabeth George was delivering the closing keynote address.

She’s the writer famous for the quote, “A lot of writing is simply showing up.”

That day, she threw out a bombshell. It made my writing instructor and coach, sitting two rows ahead of me, glance back at me with that kind of I-told-you-so smirk-smile she gets.

What George said to all of us: You don’t need another book. There will always be another book. Just get out there and do it.

I glared at my coach. But I walked out of that room— and the conference— without another book on the craft of writing. You see, I am a recovering self-improvement junkie.